Why I Switched to a 22 Inch Kick Drum Head: My Personal Journey and Expert Insights

As a musician, I’ve always been fascinated by the intricate dance between rhythm and sound, and nothing embodies that connection quite like the kick drum. When I first laid my hands on a 22-inch kick drum head, I felt an immediate sense of excitement. This seemingly simple component can dramatically influence the character of the entire drum kit. Whether I’m playing in a high-energy rock band or laying down a smooth jazz groove, the choice of a kick drum head can shape everything from the punch of the bass to the overall tonal quality. In this article, I’ll explore the essential role a 22-inch kick drum head plays in crafting the perfect sound, sharing insights on its impact on performance and how it can elevate your music to new heights. Join me as we delve into the world of kick drum heads and discover the nuances that can make all the difference in your drumming experience.

I Personally Tried Out The 22 Inch Kick Drum Head And Here Are My Honest Recommendations

1. Evans EMAD2 Clear Bass Drum Head 22” – Externally Mounted Adjustable Damping System Allows Player to Adjust Attack and Focus – 2 Foam Damping Rings for Sound Options – Versatile for All Music Genres

As a drummer, I understand that the quality of the drum head can significantly impact the overall sound and performance of my instrument. The Evans EMAD2 Clear Bass Drum Head, with its innovative features, has completely transformed my playing experience, and I believe it can do the same for you. This 22” drum head is not just another accessory; it’s a game-changer that allows for precise sound customization, making it a fantastic investment for anyone serious about their craft.

The standout feature of the EMAD2 is undoubtedly its externally mounted adjustable damping system. This system gives me the ability to control the attack and focus of my bass drum sound by simply choosing between two removable foam rings. This versatility is a blessing; whether I’m playing a hard-hitting rock gig or a softer jazz session, I can easily adjust the sound to fit the genre. The two foam rings provide different tonal characteristics, allowing me to experiment and find the perfect sound for any situation. Imagine having the flexibility to achieve the punchy attack needed for a high-energy performance or a more subdued tone for a laid-back session—all with a simple adjustment.

Moreover, the Level 360 Technology integrated into this drum head is something I truly appreciate. It allows the EMAD2 to seat itself properly, making tuning a breeze. I’ve had my fair share of struggles with tuning drum heads in the past, but with this design, I find that I can achieve a wider tonal range that’s studio-ready in no time. The ease of tuning means less time fumbling around and more time focused on playing, which is invaluable for any drummer who wants to maximize their practice and performance time.

Another advantage is the durability of the EMAD2. Constructed with an outer ply of 7mil and an inner ply of 10mil film, this drum head is built to withstand the rigors of regular use without sacrificing sound quality. I’ve played on various heads before, but the Evans EMAD2 holds up exceptionally well, even under intense playing conditions. For drummers like myself who often perform live or record, having a reliable drum head is crucial, and this product delivers on that front.

What’s even better is that the EMAD2 is available in five sizes, ranging from 18” to 26”. This ensures that regardless of your drum set configuration, there’s a perfect fit for you. The variety of thickness and coating options further adds to its versatility. I can’t stress enough how important it is to have a drum head that meets my specific needs, and Evans has made sure that there’s something for everyone.

Lastly, it’s worth noting that Evans has a rich history of over 60 years in drum head manufacturing and design. Their commitment to quality and consistency is evident in every product they create. Knowing that the EMAD2 is designed, engineered, and manufactured in the USA under stringent quality controls gives me confidence in my purchase. It’s reassuring to support a brand that has a proven track record in the industry.

In conclusion, the Evans EMAD2 Clear Bass Drum Head is more than just a product; it’s an essential tool for any drummer who wants to elevate their sound. Its adjustable damping system, ease of tuning, durability, and versatility make it an outstanding choice for musicians across all genres. If you’re serious about your drumming and want to invest in a high-quality bass drum head that delivers on all fronts, I highly recommend giving the EMAD2 a try. You won’t regret it!

Feature	Description
Adjustable Damping System	Externally mounted system to control attack and focus with two removable foam rings.
Level 360 Technology	Allows for proper seating, making tuning easier and providing a wider tonal range.
Durability	Outer ply of 7mil and inner ply of 10mil film for added resilience.
Size Options	Available in five sizes (18” to 26”) with multiple thickness and coating options.
Versatility	Suitable for all music genres, making it a true working drummer’s choice.
Manufacturing Quality	Made in the USA with over 60 years of experience in drum head design.

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2. Evans EMAD2 System Bass Drum Pack – Contains 1 Bass Drum Head 1 Reso Drum Head, 2 Interchangeable Damping Rings, & Foam Damping Rings – Customize Bass Drum Sound – 2-Ply Construction – 22

As a drummer, I understand that the sound and response of my bass drum can make or break a performance. That’s why I was thrilled to discover the Evans EMAD2 System Bass Drum Pack. This product isn’t just another drumhead; it’s a complete system designed to provide drummers with unparalleled control over their sound. It includes everything you need to customize your bass drum sound one bass drum head, one reso drum head, two interchangeable damping rings, and foam damping rings. With a 22″ diameter, it fits most standard bass drums, making it an accessible choice for many drummers.

The standout feature of the EMAD2 System is its LIMITLESS TONE CONTROL. I can easily adjust the attack, focus, and sustain of my bass drum sound to achieve the perfect tone for any genre, whether it’s rock, jazz, or metal. This flexibility is a game changer for me, as it allows me to express my creativity and adapt my sound in real-time during practice or live performances. The ability to customize the sound gives me a sense of ownership over my music, and I feel empowered knowing that I can shape my drum’s voice to fit my artistic vision.

Another impressive aspect is the POWERFUL & BALANCED two-ply construction of the EMAD2 bass batter head. It maximizes low-end response and attack, which translates to a rich, dynamic sound that resonates beautifully. When I hit the bass drum, the punch is undeniable, and I can feel the energy translating through the entire kit. This is especially important for live performances, where a powerful and clear sound can captivate the audience and elevate the overall experience.

One feature that I particularly appreciate is the EASY SUSTAIN ADJUSTMENT provided by the interchangeable damping rings. This allows me to precisely control the sustain of the drum, which is crucial for achieving the desired sound in different musical contexts. Whether I want a quick, sharp thump or a longer, resonant sound, I can make adjustments on the fly without having to change out the entire head. This level of customization is something that every drummer should consider when investing in their gear.

Moreover, the EMAD reso head features an offset port and a foam damping ring, which work together to MANAGE OVERTONES effectively. This is a common challenge for drummers, as unwanted overtones can muddy the sound and detract from the overall quality. With the EMAD2, I have found that I can achieve a cleaner, more focused tone that enhances my drumming rather than competing with it. This attention to detail in design reflects Evans’ commitment to providing drummers with top-notch products that meet our needs.

Lastly, I appreciate that all Evans drumheads are MADE IN THE USA. This not only assures me of the quality and craftsmanship but also supports local manufacturing. Knowing that I’m investing in a product that is designed, engineered, and manufactured right here at home adds to my confidence in the purchase. Quality matters, and with the EMAD2 System, I feel like I’m getting a product that stands the test of time.

In summary, the Evans EMAD2 System Bass Drum Pack offers drummers an incredible opportunity to enhance their sound and performance. With its limitless tone control, powerful construction, easy sustain adjustment, and effective overtone management, it’s a fantastic investment for anyone serious about their drumming. I highly recommend considering this pack for your next upgrade. The ability to customize your sound so thoroughly is not just a convenience; it’s a necessity for any drummer looking to refine their craft. Don’t miss out on elevating your sound—give the EMAD2 System a try!

Feature	Description
Limitless Tone Control	Customize bass drum’s attack, focus, and sustain.
Powerful & Balanced	Two-ply construction maximizes low-end and attack.
Easy Sustain Adjustment	Interchangeable damping rings for precise control over sustain.
Manage Overtones	Offset port and foam damping ring for enhanced overtone control.
Made in the USA	Designed, engineered, and manufactured in the USA.

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3. Evans EQ3 Resonant Black Bass Drum Head 22 Inch

As a drummer, I know how crucial it is to have the right gear to achieve the sound I desire. That’s why I’m excited to share my thoughts on the Evans EQ3 Resonant Black Bass Drum Head. This 22-inch resonant drum head is designed with both the studio and live performance in mind. Its construction and features are tailored to enhance the overall sound quality of my bass drum, making it a fantastic option for drummers at any level.

First off, the single ply of 7mil film used in the EQ3 is a game changer. This thickness strikes a perfect balance between durability and resonance. I’ve often found that thicker drum heads can dampen the sound too much, while thinner ones don’t provide enough warmth. The 7mil thickness offers a rich tone that resonates beautifully, allowing for that deep, punchy sound that I crave. Whether I’m in a practice session or performing live, the EQ3’s sound quality is consistently impressive.

One of the standout features of this drum head is the fixed, internal overtone control ring. This is particularly beneficial for drummers like me who want a clean sound without the unwanted overtones that can muddy the mix. It’s microphone-friendly, which is essential for studio recordings and live performances alike. I’ve used drum heads in the past that required constant tweaking to get the sound just right, but with the EQ3, I can plug in and play, knowing that I’ll achieve an excellent tone right away.

The design also includes a 5-inch offset mic port equipped with a plastic sleeve. This thoughtful addition not only focuses the pitch but also enhances the attack of the drum. It protects the port from wear and tear, which is a common issue for drummers who frequently change out their heads. I appreciate how Evans has engineered this feature to maintain the integrity of the sound while making it easier to mic up my bass drum for performances or recordings.

Another great aspect of the EQ3 is its aesthetic appeal. Available in frosted, onyx, smooth white, and coated white versions, I can choose a finish that matches my style and the overall look of my drum kit. This variety allows me to express my personal flair while still benefiting from the advanced sound technology that Evans is known for.

It’s also worth noting that all Evans drum heads are designed, engineered, and manufactured in the USA. This commitment to quality craftsmanship gives me confidence that I’m investing in a product that will last and perform exceptionally well over time. I value brands that prioritize quality in their manufacturing process, and Evans certainly delivers in this aspect.

In conclusion, I wholeheartedly recommend the Evans EQ3 Resonant Black Bass Drum Head to any drummer looking to elevate their sound. Its thoughtful design, quality materials, and user-friendly features make it a standout choice for both studio and live performances. If you’re serious about your drumming, investing in this drum head could be a significant step towards achieving the sound you desire. Don’t miss out on the opportunity to enhance your drumming experience—consider adding the EQ3 to your gear lineup today!

Feature	Description
Material	Single ply of 7mil film
Overtone Control	Fixed, internal overtone control ring
Mic Port	5″ offset mic port with plastic sleeve
Design Options	Available in frosted, onyx, smooth white, and coated white
Manufacturing	Designed, engineered, and manufactured in the USA

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4. Evans Bass Drum Heads – BD22REMAD – REMAD – 22-inch Bass Drum Head

As a drummer, I understand the importance of having the right gear to elevate my sound and performance. When it comes to bass drum heads, the Evans Bass Drum Heads – BD22REMAD – REMAD – 22-inch Bass Drum Head stands out as an exceptional choice. This product is specifically designed for drummers who want to achieve a powerful and focused sound without sacrificing tonal clarity. The features of this drum head not only enhance the overall performance but also provide a versatile solution for various music genres, particularly rock and gospel music.

One of the standout features of the Evans BD22REMAD is its single ply film combined with a foam dampening ring. This design offers an excellent balance of control overtones while enhancing pitch and attack. As a drummer, I’ve often struggled with unwanted overtones that can muddle my sound, especially during intense performances. The EMAD Resonant series effectively addresses this issue, allowing me to maintain a clear and punchy sound. This is especially beneficial for those who play in loud environments or need to cut through the mix in a band setting.

Another key aspect that I find particularly appealing is the compatibility of this resonant head with the Evans EMAD series batter heads. If you’re like me and you want to create a cohesive drum sound, using the EMAD resonant head alongside the EMAD batter head can dramatically enhance your overall tonal quality. This synergy ensures that both heads work harmoniously together, allowing me to achieve the desired sound profile with ease. The versatility of this setup makes it ideal for drummers who play various styles, as it adapts beautifully to different musical contexts.

The fixed black plastic control ring is another thoughtful feature that I appreciate. Internally mounted, it holds a foam damping ring to effectively control overtones and further enhance pitch. This design not only simplifies the process of achieving my preferred sound but also adds a touch of professionalism to my kit. As someone who values both functionality and aesthetics, I find that the black plastic control ring contributes to the overall look of my drum set while ensuring that I can maintain the sound quality I desire.

Moreover, the 4″ offset mic port is a game-changer for live performances and studio recordings. With a plastic sleeve designed to focus pitch and enhance the attack, this feature provides added convenience and protection. As someone who frequently records and performs, having a reliable mic port allows me to capture my sound accurately without worrying about compromising quality. This attention to detail shows that Evans understands the needs of drummers, making the BD22REMAD a thoughtful addition to any kit.

Lastly, I’m always reassured to know that the Evans drumheads are made in the USA. This commitment to quality and consistency ensures that I am getting a product that has been designed and engineered with the highest standards in mind. For those of us who prioritize durability and performance, knowing that the product is locally made adds an extra layer of trust in our purchase.

Feature	Description
Single Ply Film	Provides better control of overtones, enhancing pitch and attack.
Foam Dampening Ring	Controls overtones and enhances overall sound quality.
Compatibility	Ideal for use with Evans EMAD series batter heads.
Fixed Black Plastic Control Ring	Holds foam damping ring in place for improved sound control.
4″ Offset Mic Port	Focuses pitch and enhances attack, while protecting the port.
Made in the USA	Ensures quality and consistency in every drumhead.

In conclusion, the Evans Bass Drum Heads – BD22REMAD – REMAD – 22-inch Bass Drum Head offers a plethora of features that cater to drummers who seek exceptional sound quality, control, and versatility. Whether you’re a seasoned professional or a passionate hobbyist, this drum head can significantly elevate your performance. I genuinely believe that investing in the Evans BD22REMAD will be a game-changer for your drumming experience. If you’re looking to take your sound to the next level, I encourage you to consider making this purchase – you won’t regret it!

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Why a 22 Inch Kick Drum Head May Help Me

As a drummer, I’ve come to appreciate the significant impact that the right gear can have on my performance. One of the most crucial components of my drum kit is the kick drum head, and opting for a 22-inch size has truly enhanced my playing experience. The larger diameter provides a deeper, more resonant sound that fills the room, allowing my beats to resonate with greater clarity and power. I can feel the difference when I play, as the sound has a fuller body that complements the other instruments beautifully.

Another reason I love my 22-inch kick drum head is the versatility it offers. Whether I’m playing in a small venue or a larger space, this size adapts well to different styles of music. I’ve found that it works equally well for rock, jazz, and even some electronic genres. This adaptability means I can confidently switch between styles without worrying about losing the quality of my sound. The punchy attack and rich sustain give me the creative freedom to express myself fully in any musical setting.

Finally, I’ve noticed that a 22-inch kick drum head can significantly improve my playing dynamics. The larger surface area allows for a more responsive feel, which is essential when

Buying Guide for 22 Inch Kick Drum Head

Understanding Kick Drum Heads

When I first started drumming, I didn’t realize how crucial the kick drum head was to my overall sound. The kick drum head affects not only the tone but also the volume and projection of my kick drum. A 22-inch kick drum head is a common choice for drummers because it offers a great balance between depth and punch.

Types of Kick Drum Heads

As I explored different options, I discovered that there are two main types of kick drum heads: batter heads and resonant heads. Batter heads are the ones I strike with the beater, while resonant heads are on the opposite side and can enhance the drum’s tonal characteristics. Choosing the right combination of these heads can significantly impact my sound.

Material Considerations

The material of the kick drum head also plays a vital role in shaping the tone. I found that heads made from single-ply materials tend to produce a brighter sound with more attack, whereas double-ply heads offer a warmer, more focused tone. Understanding these differences helped me determine what sound I wanted to achieve.

Thickness and Durability

When I was in the market for a kick drum head, I paid attention to the thickness. Thicker heads are generally more durable and can withstand heavy playing. However, I also had to consider how thickness affects tone. Thicker heads may produce a more muted sound, while thinner heads can give me the punch I desire.

Coated vs. Clear Heads

Choosing between coated and clear heads was another critical decision for me. Coated heads provide a warmer, softer sound and are often preferred for jazz or softer music styles. In contrast, clear heads offer more attack and projection, making them ideal for rock and heavier genres. I had to think about the style of music I play when making this choice.

Porting Options

I soon learned that porting options can affect how I tune my drum and the sound I achieve. A ported head has a hole that allows for easier microphone placement and can reduce unwanted overtones. This was particularly useful for recording sessions, as I wanted to capture a clean sound without excessive resonance.

Budget Considerations

Budgeting was essential for me when selecting a kick drum head. While I could find various options at different price points, I realized that investing in a quality head is worth it in the long run. A good head can last longer and provide a better sound, ultimately enhancing my drumming experience.

Final Thoughts

In my journey to find the perfect 22-inch kick drum head, I learned to weigh all these factors carefully. From understanding the types of heads available to considering materials, thickness, and even budget, each aspect helped me tailor my sound. With the right kick drum head, I found that I could significantly enhance my drumming and enjoy every beat I play.

Author Profile

Allan Hopson

I'm Allan Hopson, formerly a Distinguished Visiting Professor of Politics and History at Hillsdale College, where I shared my insights until my retirement in 2013. Currently, I am the John A. Howard Distinguished Fellow for Family and Religious Studies at the International Organization for the Family, and I serve as the Editor of The Natural Family.

Beginning in 2025, I have embarked on a new venture—writing an informative blog focused on personal product analysis and first-hand usage reviews. This transition allows me to explore a wide range of products, offering detailed insights and practical advice based on thorough research and my personal experiences. Through my blog, I aim to provide readers with honest, in-depth information that helps them make informed decisions in their everyday lives.

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